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That said, the influence of “Is This It” expands beyond the Strokes’s contemporaries bands like Arctic Monkeys cite the album’s release as the inciting incident for their formation.

Center: Nick Valensi) promoting their latest album, 2020’s ‘The New Abnormal.’ (RCA Records/Jason McDonald) The Strokes (pictured left to right: Nikolai Fraiture, Albert Hammond Jr., Fabrizio Moretti, Julian Casablancas. Brightside.” Even an idle ear can detect traces of “Is This It” on the Killers’ 2004 debut album, “Hot Fuss.” On songs like “Somebody Told Me,” Flowers dons a faded, distorted vocal filter that resembles Casablancas’s voice throughout “Is This It,” and the trailing, high pitched guitars on “Change Your Mind” are reminiscent of Albert Hammond Jr.’s playing on songs such as “Soma” and “When It Started.” This observation also holds true for bands like Franz Ferdinand, whose 2004 smash hit “Take Me Out” features an intro sporting the same thick, driving guitars propeling cuts like “Hard to Explain” and “Take It or Leave It.” In a recent interview with NME, lead singer of the Killers Brandon Flowers revealed that upon hearing “Is This It,” the band scrapped every song they had been working on, save “Mr. “Is This It” almost immediately made ripples in the alternative rock scene. They presented audiences with a fresh spin on an old sound, taking crunchy, distorted 1970s garage rock and pairing it with Casablancas’s snarling croon. audiences found out about the Strokes, they’d already cultivated a rabid following in the United Kingdom thanks to a lofi style that pulled from the likes of the Stooges, the Velvet Underground and Television.

In the years since the grunge movement’s end, rock music had taken on a neutral, radio-friendly style, with bands like Nickelback and Oasis at the forefront of the genre. It’s easy to see how fans thought the Strokes were going to be a return to form. Two decades later, “Is This It” has left a definite fingerprint on the music that has followed it. Although album sales fell short of expectations and the band themselves rejected the “rock savior” label, the album’s miserably aloof point of view and its do-it-yourself production style garnered a cult following. When the Strokes released their 2001 debut album “Is This It” in the United States, fans were quick to dub them the “saviors of rock.” In a year when popular music was dominated by R&B giants like Usher and Destiny’s Child, Strokes frontman Julian Casablancas emerged as the closest thing to a rockstar audiences in the U.S.

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